On Adapting …

Excerpted from a report I wrote a couple of months ago …

The transition towards a digital era will not be accomplished without pain and difficulty, especially on the part of established industries.  Many will suffer as they try to adapt.  Shifting from an economy based on material objects to one in which work and production is dematerialized means new products, new markets and new segments within those new markets. And in addition, this phenomenon will in some cases (telecommunications, radio, and probably television) transform the actual structure of existing industries, which will in turn redefine the balance of power and alter the principles upon which current perspectives about competition are based.

So, to understand better, it’s useful to look at the ways different generations of consumers are adapting … or not.  Who are the young people, the *digital natives*, who seem to have grown up with these new technologies under their skins ?  And, above all, how do the rest of us understand and interact with them ?

They are between 10 and 20 years old (an approximate range), born into a world that was being transformed into a sense-surround digital environment. They resonate more than they reason, they are fickle consumers who focus on brands … they multi-task (see Homo Zappiens in the Report “The Time Is Now”), and above all they are not shy about questioning the major foundations of established society.  Napster, iPods and iTunes, RSS, P2P, BitTorrent and MySpace have had rapid and far-reaching impact on the logic of the media and entertainment businesses. Meet the “Digital Kids” or “Digital Natives”.

Ever since birth, these digital era children have bathed in screen-based images, in digital sound, and in digital video, and have been using remote controls and computer mice.  Their universe is based on immersion in information technology, of one sort or another.  It’s an interactive universe consisting of more and more consumer electronic products such as game consoles like the Xbox 360 or the Playstation, computers, portable phones, and listening-and-viewing devices like the iPod.  Their world is one with a network-based interactive culture based on sharing and building common knowledge.

In his study titled “The death of command and control”, the researcher Marc Prensky notes these young people have experienced an accumulated 10,000 hours of video-game playing, have sent and received more than 200,000 emails or text messages of all sorts, have spent more than 10.000 hours speaking to their friends on portable phones, have more than 20,000 hours of watching television under their belts whilst having been exposed to more than 500,000 advertising messages. On the other hand, these digital natives have spent less than 5,000 hours reading what we call “real” books. 

But  …   these numbers don’t state conclusively that these young people do not read at all.  On the contrary, this simply signifies that their sources of information are other than the traditional ones printed on certain sizes and types of paper in conventional formats.  And i think that’s an important distinction.

In the past, the transition from oral distribution of information (speech) to text and writing, and then to the widespread use of printing followed long, slow cycles of adaptation over many generations.  However, never since the beginning of human civilization have we traveled through such and intense period of rupture between the meaning-making tools, processes and capabilities of different generations.

Over the past century, each generation has had its own new mode (medium) of communication: telegraph, cinema, radio, television, computer, and today the Internet and all things digital.  And each of these periods has changed our uses of language (and thus the shaping of our culture).  Perhaps more fundamentally, these dynamics of adapting quite rapidly to a succession of ways to communicate ideas have helped change the way(s) we use our imagination and probably the fluidity and plasticity of our individual brains.

The ways we are adapting and will adapt to these changes will not occur in the same rhythm or time frames for everyone. It’s likely we will have to wait several decades before we all live in a society that has been stitched back together, in a cultural sense.  For the immigrants to a digital world, this will mean that they will have to face up to a continual re-organization and re-shaping of their existing habits.

This will depend much on the individual and the extent to which she or he is willing and able to experiment and learn.

For digital natives (the new generation who will soon increasingly inhabit positions of influence, power and decision-making), their habits and practices will continue to be built around the possibilities that have been and are being offered to them.  For the rest of us immigrants, doing so is likely to get easier and easier from a usability-of-products perspective, as well as being helped by the growing ubiquity of services which require some adaptation (look at how many older people use online banking, or paying bills, or using email to stay in touch with distant relatives or friends).

Much of the last twenty years has been about technology - gadgets, software, bigger chips, the Net - whilst many of us who are not geek-inclined have learned only how to open Word, send an email, and develop rudimentary spreadsheets or presentations.  If we’re advanced average users, we will have learned a few basic html commands and how to change the passwords, etc, on our personal computing machine.

As things get easier to do, easier to use, more available and more connected, the next twenty years will see unusual and rapid sociological adaptation … and not all of it will be kind, supportive or beneficial.  But it will be real.

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Old effer here. We just traded in our cable box remote, one we’ve had for at least 8 years, for a new one where the ‘keyboard’ function buttons have been moved around — seemingly at random. (Buttons stopped registering so we had no choice.) Now, imo, there’s nothing better than when your tools ‘disappear’ — become transparent to the process or problem they address — after weeks, months, years of use (variable depending on the quality of design, imo.) A single flaw in design can prevent a tool from ‘disappearing’ for a user. If you’ve never had a tool ‘disappear’, you won’t know the difference, and you’ll probably just be in a state of constant semi-annoyance, pissed at the ‘new-fangled ways’. But if you have, then you know that poor design is foisted on people constantly and marketed as revolutionary advance — or just simply foisted on them.

Back to the cable box remote. Cableco: They’ll adapt — what choice do they have? It’s not like our competitors are offering anything different, and even if they are, WE KNOW THAT THEY DON’T WANT TO SWITCH. That’s why they’re calling, after all, because *WE* SWITCHED (remote configurations) FOR THEM. We’ll just increase our budget (slightly) for clueless customer service representatives trained to dispense boilerplate empathy and nickels and dimes if they seem exercised enough.

The big test of a tool is if you find your entire being WANTING to re-engage with it. Whole-heartedly, no qualifications, nothing to overlook. Don’t remember where I read this (a long time ago) but some sexologist offered the same test for ‘good sex’. If you find yourself rationalizing, or qualifying, or dragging your feet, fuggedaboudit. mOVE ON.

Also

I want only as many tools as I need — AND NOT ONE MORE. That effs it all up, the one more. How can I DANCE??

Only an a-hole walks around with his entire toolchest stuffed into his belt. Unless of course a-hole is a virtual one-man-band, a whirlwind on each and every and all in concert, and then he is a virtuoso — perhaps he’s always looking for, he always NEEDS, just one more ball in the air for HIM to dance. Go for it chief. That is beautiful. Just stop tossing them balls at me. I’m juggling as fast as I can. Or want to.

Good ol’ Charlie Bukowski seemed like a technophobe. He played his work out in creative destruction of his mechanical ‘typer’. Talked about it like he was in a marathon street fight with it (a dance.) He was SCARRING the effing thing. It would be fun to borrow the platen from one of his old machines, roll it lightly in ink, and then roll it on paper. What impressions would it leave? What impressions did HE leave, on IT?

Anyway, Charlie *seemed* like a technophobe. But in his later writings he used a computer. Marveled at it as a writing tool. Why *wouldn’t* he use it, I remember him saying (in print.) He said he wasn’t much interested in how it worked, just called in the ‘magician’ when it stalled, but I think he was lying. I don’t think he wanted to fix it, but I think he was interested in how it worked.

Charlie was a bit of a math guy, to hear him tell. Aced the stuff in school. Memorized whole neighborhoods arranged as numbered slots, tossed mail. Loved interacting with the tote board at the track, odds and all that. A computer.

But. I’m gonna guess he shared this taste with me — good tools and not one tool more. MOFO’S GOTTA DANCE. Waddaya think?

P.S. I think the SPEED variable may be effing up design. Speed to market — competition. Speed to completion — labor efficiency. Speed to improve - designed obsolesence.

I think there’s really only two , maybe three good ways to dance; in a good R&B bar after several stiff drinks, at a wedding with someone you’re attracted to, again after a few stiff drinks, and maybe outdoors at a roots, rock, reggae, world music boho-style festival concert.

Dancing is human. Writing and reading onto and into a screen is intellectual, and makes dancing an imperative … you only need one good tool to dance, really and that’s a non-aneshetized heart.

Bukowski never needed to adapt, he came out of the box adapted. The plasticity of his wonder and ability to feel never went away.

Speed kills, they say. Om the aread of design, I’d agree.

PS .. re: the one good tool. After reading your comment, I lay awake almost all night trying to think about why I should try to convince you (or anyone else) that maybe the hyperlink is one good tool. Right now I think I’m about halfway to understanding what I think about that.

The plasticity of wonder. Beautiful. Maybe you should subtitle your site?

(btw, this was said with the deepest respect, you are one of the most whole-hearted persons I’ve “met”.)